# THIS YOU — ISSUE 01 IMAGE PLAN ### v3 ## NEW YORK / AUTUMN 2026 ### Shared + Personalized Asset Plan for Print and Digital --- ## STEP 5 CURRENT STATUS ### STORY visuals All six STORY-page visual directions are now selected. - Page 05 — NYFW → Pexels / Following NYC - Page 09 — Armory Show → Vincent Tullo / courtesy The Armory Show - Page 13 — CBGB Fest → official Shore Fire / CBGB Festival press image - Page 17 — New York After Dark → official NYCWFF / `NYCWFF_2026_PhotoGallery76.jpg` - Page 21 — NYC Marathon → Tong Su / Unsplash - Page 25 — NYFF → **two-image editorial composition** - Alev Takil / Unsplash — Lincoln Center audience context - FLC Press — `NYFF_Opening Night_Announcement_1600x900.png` / *Paper Tiger* Opening Night ### SCENE visuals Not generated yet. Decision: > **First lock / collect all STORY images. Then generate the SCENE set as one coherent visual pass.** This avoids mixing stock/press selection work with constructed/generative SCENE production. ### External-asset source of truth Detailed URLs, download instructions, credits and rights notes live in: `THIS_YOU_ISSUE_01_STORY_IMAGE_REGISTRY_v3.md` # 1. PURPOSE This document defines the image system for **THIS YOU / Issue 01 — New York / Autumn 2026**. It is designed to answer: - which pages need images, - what kind of images they need, - whether they are shared or personalized, - whether print and digital can use the same source, - when separate print/web versions are recommended, - which pages need motion or digital-only extensions, - what file names and folders should be used. This is an **asset plan**, not a final layout file. The magazine pages themselves should still be assembled by the system using: - HTML/CSS, - layouts, - page data, - image assets, - print rendering. Do **not** generate entire final magazine pages as flat images. --- # 2. IMAGE SYSTEM PRINCIPLES ## 2.1 Asset types We work with 3 major image classes: ### A. SHARED EDITORIAL IMAGES Same for every reader: - concept/demo image, - scene visuals, - story supporting images, - artwork stills, - city map / visual assets, - shared sponsor references, - back cover visuals. ### B. PERSONALIZED IMAGES Generated separately for each reader: - cover image, - 6 arrival hero images, - sponsored personalized ad hero image, - optional summary visual. ### C. DIGITAL-ONLY / MOTION ASSETS Used online only: - ArtCodingLab animation, - playlist / motion embeds, - extra gallery/detail assets, - hover/zoom / carousel extras. --- ## 2.2 File variants For important images we keep 3 variants: ### MASTER Best source version. ### WEB Optimized for digital issue. ### PRINT Optimized for print/PDF output. Recommended naming: ```text page-06-scene-main-master.jpg page-06-scene-main-web.webp page-06-scene-main-print.jpg ``` --- ## 2.3 Print vs digital logic Not every page needs a separate print and digital image. There are 3 modes: ### SAME SOURCE One generated source is used for both print and digital, with normal export resizing. ### SAME SOURCE, DIFFERENT CROP One generated source, but the system creates different web/print crops. ### SEPARATE RENDERS Two deliberately different renders based on the same concept: - one for print, - one for digital. This should be used only when the layout or reading experience clearly benefits from it. --- # 3. RECOMMENDED FOLDER STRUCTURE ## Shared assets ```text issue-001/shared/page-02/ issue-001/shared/page-03/ issue-001/shared/page-04/ ... issue-001/shared/page-32/ ``` ## Personalized assets ```text issue-001/personalized/user-XXXX/page-01/ issue-001/personalized/user-XXXX/page-07/ issue-001/personalized/user-XXXX/page-11/ ... issue-001/personalized/user-XXXX/page-30/ ``` --- # 4. ISSUE 01 — PAGE-BY-PAGE IMAGE PLAN ## QUICK LEGEND - **Mode** = shared / hybrid / personalized - **Need** = yes / optional / no - **P/W mode** = print/web mode - **Motion** = no / optional / yes --- ## PAGE TABLE | Page | Page title / role | Page type | Mode | Image needed | Asset role | Orientation | P/W mode | Motion | Notes | |---|---|---|---|---|---|---|---|---|---| | 01 | Cover | cover | personalized | yes | cover-hero | portrait | same source, different crop allowed | no | Reader clearly recognizable; premium editorial portrait | | 02 | How THIS YOU works / One Moment. Three Readers. | concept | shared | yes | concept-demo-main | portrait or landscape composition adapted to page | separate render recommended | no | 3 readers, same moment, visibly different arrivals | | 03 | Editor's letter / issue intro | editorial | shared | optional | intro-supporting | portrait or landscape | same source | no | Could also be text-only if layout is strong enough | | 04 | Contents / city map / six moments | contents | shared | yes | city-map-visual | portrait | same source | no | Graphic / illustrated map or editorial city visual | | 05 | NYFW story | story | shared | yes | story-visual-anchor | portrait or landscape | same source | no | One supporting image if needed, but text can dominate | | 06 | NYFW scene | scene | shared | yes | scene-main | portrait | separate render or different crop allowed | no | Still-life / objects page: invitation, coffee, sunglasses, etc. | | 07 | NYFW arrival | moment/arrival | hybrid | yes | arrival-hero | portrait | same source, different crop allowed | no | Personalized reader in “Between Shows” moment | | 08 | NYFW style | style | personalized | no new main image required | reuse-arrival-hero | n/a | reuse | no | Use page 07 hero; optional tiny support image only if needed | | 09 | Armory story | story | shared | yes | story-visual-anchor | portrait or landscape | same source | no | Art-world context page | | 10 | Armory scene | scene | shared | yes | scene-main | portrait | same source, different crop allowed | no | Objects / residue page: tote, floor plan, notebook, water bottle | | 11 | Armory arrival | moment/arrival | hybrid | yes | arrival-hero | portrait | same source, different crop allowed | no | Personalized reader at the fair | | 12 | Armory style | style | personalized | no new main image required | reuse-arrival-hero | n/a | reuse | no | Same logic as other style pages | | 13 | CBGB story | story | shared | yes | story-visual-anchor | portrait or landscape | same source | no | Music history / event context | | 14 | CBGB scene | scene | shared | yes | scene-main or scene-typography-main | portrait | separate render recommended | optional | Strong music/typography page; can include track-led design | | 15 | CBGB arrival | moment/arrival | hybrid | yes | arrival-hero | portrait | same source, different crop allowed | no | Personalized reader under the K Bridge | | 16 | CBGB style | style | personalized | no new main image required | reuse-arrival-hero | n/a | reuse | no | Use page 15 hero | | 17 | New York After Dark story | story | shared | yes | story-visual-anchor | portrait or landscape | same source | no | Food/nightlife editorial page | | 18 | New York After Dark scene | scene | shared | yes | scene-main | portrait | same source, different crop allowed | no | Cinematic rooftop / blue-hour / skyline scene | | 19 | New York After Dark arrival | moment/arrival | hybrid | yes | arrival-hero | portrait | same source, different crop allowed | no | Personalized dinner-into-night look | | 20 | New York After Dark style | style | personalized | no new main image required | reuse-arrival-hero | n/a | reuse | no | Use page 19 hero | | 21 | Marathon story | story | shared | yes | story-visual-anchor | portrait or landscape | same source | no | Marathon / city transformation context | | 22 | Marathon scene | scene | shared | yes | acl-still-main | portrait | same source for still; digital extension separate | yes | Print gets still; digital opens ArtCodingLab motion visualization | | 23 | Marathon arrival | moment/arrival | hybrid | yes | arrival-hero | portrait | same source, different crop allowed | no | Personalized runner image | | 24 | Marathon style | style | personalized | no new main image required | reuse-arrival-hero | n/a | reuse | no | Use page 23 hero | | 25 | NYFF story | story | shared | yes | story-visual-anchor | portrait or landscape | same source | no | Film / opening-night context | | 26 | NYFF scene | scene | shared | yes | scene-main | portrait | same source, different crop allowed | no | Elegant cinematic / ticket / program / light page | | 27 | NYFF arrival | moment/arrival | hybrid | yes | arrival-hero | portrait | same source, different crop allowed | no | Personalized dress-up cinema arrival | | 28 | NYFF style | style | personalized | no new main image required | reuse-arrival-hero | n/a | reuse | no | Use page 27 hero | | 29 | Your Autumn / style summary | summary | personalized | optional | summary-supporting | portrait or collage | separate render optional | no | Can be text-led or include mini visual / collage | | 30 | Sponsored personalized ad | sponsored_ad | hybrid | yes | sponsor-personal-hero | portrait | separate render recommended | no | Shared sponsor shell + personalized reader image | | 31 | Next issue + credits | credits | shared | optional | teaser-supporting | portrait or landscape | same source | no | Could be mostly text, or include next-city teaser image | | 32 | Absurd.website back cover | back cover | shared | yes | back-cover-main | portrait | same source | no | Shared publisher back-cover creative | --- # 5. ASSET COUNTS ## Shared assets — recommended baseline ### Required or near-required - Page 02 concept/demo image = 1 - Page 04 city map / visual = 1 - 6 scene-main images (pages 06, 10, 14, 18, 22, 26) = 6 - Page 32 back cover image = 1 ### STORY visual anchors — required by default - Story page visual anchors (pages 05, 09, 13, 17, 21, 25) = 6 - Page 03 intro image = 0–1 - Page 31 teaser image = 0–1 ### Shared total **Minimum strong plan:** about **15 shared visuals** **Expanded plan:** about **17–22 shared visuals** --- ## Personalized assets — per reader ### Required - Page 01 cover = 1 - 6 arrivals (pages 07, 11, 15, 19, 23, 27) = 6 - Page 30 sponsor ad = 1 ### Optional - Page 29 style summary visual = 0–1 ### Personalized total per reader **Minimum:** **8 images per reader** **Expanded:** **9 images per reader** --- # 6. PAGE-SPECIFIC IMAGE DIRECTIONS ## PAGE 02 — HOW THIS YOU WORKS ### Asset `page-02-concept-demo-main` ### Purpose Immediately explain the magazine through image. ### Visual logic One shared event. Three clearly different readers. Three different arrivals. ### Recommendation Generate this as a **special shared demo visual**, not a normal fashion page. ### Print/web Recommend **separate render or at least separate layout-aware crop**, because the explainer page may have significantly different typography needs in print and digital. --- ## PAGE 04 — CONTENTS / CITY MAP ### Asset `page-04-city-map-visual` ### Purpose Give the issue a city-level orientation. ### Visual logic Could be: - stylized editorial map, - map with six moments, - abstract city route, - typography-led map visual. ### Print/web Same source is probably enough. --- ## PAGE 06 — NYFW SCENE ### Asset `page-06-scene-main` ### Type Shared editorial scene image. ### Format direction Objects / still-life / editorial composition. ### Suggested objects - invitation, - espresso, - sunglasses, - taxi receipt, - shoes, - phone, - street textures. ### Print/web A large source with different crop flexibility is recommended. --- ## PAGE 10 — ARMORY SCENE ### Asset `page-10-scene-main` ### Type Shared editorial scene image. ### Format direction Objects / “what remains after an afternoon at the fair”. ### Suggested elements - tote bag, - folded fair map, - gallery card, - notebook, - glasses, - water bottle, - wristband. ### Print/web Same source likely enough. --- ## PAGE 14 — CBGB SCENE ### Asset `page-14-scene-main` ### Type Shared scene image, possibly typography-led. ### Format direction More graphic and music-oriented than other scenes. ### Suggested elements - heavy typography, - concrete texture, - wristband, - poster fragments, - song title, - dark industrial visual mood. ### Print/web Separate render may help because digital could support more text/music information. --- ## PAGE 18 — NEW YORK AFTER DARK SCENE ### Asset `page-18-scene-main` ### Type Shared cinematic scene image. ### Format direction Blue hour rooftop / skyline / food-night transition. ### Suggested elements - skyline, - plate / glass, - atmospheric light, - twilight tone, - elegant night-city mood. ### Print/web Same source with crop flexibility. --- ## PAGE 22 — MARATHON SCENE ### Asset `page-22-acl-still-main` ### Type Shared scene image + digital motion extension. ### Format direction ArtCodingLab still derived from: - route, - distance, - borough progression, - pulse / rhythm / motion. ### Digital extension Motion version for online edition: - animation, - interactive visual, - route-reactive piece. ### Print/web Print uses still. Digital opens motion. --- ## PAGE 26 — NYFF SCENE ### Asset `page-26-scene-main` ### Type Shared elegant scene image. ### Format direction Quiet cinematic / opening-night / restrained luxury. ### Suggested elements - ticket, - program, - dusk light, - coat-check token, - one glass, - refined typography. ### Print/web Same source likely enough. --- ## PAGE 30 — SPONSORED PERSONALIZED AD ### Asset `page-30-sponsor-personal-hero` ### Type Hybrid page. ### Shared layer - sponsor, - product, - brand copy, - logo, - CTA, - disclosure. ### Personalized layer - reader-specific generated hero image. ### Recommendation Treat this as a **separate image class** from normal arrivals. Why: - the sponsor product must remain central, - the product needs to be recognizable, - the image is campaign-led, not event-led. ### Print/web Recommend **separate render or at minimum separate final crop**, because ad typography may differ more sharply between print and digital. --- ## PAGE 32 — ABSURD BACK COVER ### Asset `page-32-back-cover-main` ### Type Shared publisher visual. ### Recommendation Treat as a normal campaign image for Absurd.website or one selected project. ### Print/web Same source usually enough. --- # 7. PERSONALIZED IMAGE SYSTEM ## 7.1 Cover ### Asset `page-01-cover-hero` ### Role Immediate “this is my magazine” moment. ### Key requirements - reader recognizable, - premium editorial framing, - works with cover typography, - not overly cropped, - fashion signal visible. --- ## 7.2 Arrival hero images Pages: - 07 - 11 - 15 - 19 - 23 - 27 ### Asset naming ```text page-07-arrival-hero page-11-arrival-hero page-15-arrival-hero page-19-arrival-hero page-23-arrival-hero page-27-arrival-hero ``` ### Shared rules All should: - feel like one issue, - have the same overall editorial quality, - vary according to the chapter, - keep the reader recognizable, - respond to city / weather / environment / formality. --- ## 7.3 Style pages Pages: - 08 - 12 - 16 - 20 - 24 - 28 ### Recommendation Do **not** require a second large hero image for each style page. Instead: - reuse the arrival image, - or use a cropped/detail version, - or use no large image if layout is clean. This saves generation load and keeps the rhythm efficient. --- ## 7.4 Page 29 summary visual ### Asset `page-29-summary-supporting` ### Recommendation Optional. Possible formats: - mini collage, - 6-look contact sheet, - one quiet portrait, - no image at all. For MVP, this page can be text-led. --- # 8. STORY PAGE VISUAL ANCHORS — FINAL SELECTIONS Every STORY page contains at least one visual anchor. Core role: > **STORY = read + see** The STORY visual supports context / reality. The following SCENE page remains interpretive / atmospheric. Preferred visual balance remains approximately: - 35–45% visual - 55–65% text Exact layout can vary. --- ## PAGE 05 — NYFW ### THE SHOW OUTSIDE THE SHOW **Status:** APPROVED **Selected image:** Pexels — *Friends Crossing the Street Together* **Creator:** Following NYC **Source:** Pexels **Source page:** https://www.pexels.com/photo/friends-crossing-the-street-together-12107683/ **Recommended credit:** `Photo: Following NYC / Pexels` **Production master filename:** `page-05-story-nyfw-following-nyc-pexels-master.jpg` **Visual role:** Fashionable people moving through a New York street/crosswalk. Supports the “between shows” idea much better than a runway image. **Print layout direction:** Portrait/vertical source can be used as a strong crop occupying roughly 35–40% of the STORY page. --- ## PAGE 09 — ARMORY SHOW ### LOOKING, AND BEING LOOKED AT **Status:** APPROVED **Selected image:** official Armory Show press photograph **Photographer:** Vincent Tullo **Credit supplied by source:** `Photo Credit: Vincent Tullo courtesy The Armory Show` **Source page:** https://www.thearmoryshow.com/press-room/2024-press-images **Selected direct image:** https://thearmoryshow.com/media/pages/press-room/2023-press-images/ccafd27085-1683133301/tullo_armoryshow2022_day1_1049.jpg **Recommended magazine credit:** `Photo: Vincent Tullo, courtesy The Armory Show` **Production master filename:** `page-09-story-armory-vincent-tullo-master.jpg` **Visual role:** Authentic fair scale + visitors + looking behavior. Keeps the STORY documentary rather than turning it into a generic gallery page. **Rights note:** Archive the official press-page usage context together with the master file. --- ## PAGE 13 — CBGB FEST ### THE ROOM IS GONE. THE NOISE ISN'T. **Status:** APPROVED **Selected image:** official CBGB Festival black-and-white crowd / crowd-surfing press image **Source:** Shore Fire Media / CBGB Festival press page **Source page:** https://shorefire.com/roster/cbgb-festival **Working direct image URL:** https://shorefire.com/images/uploads/gallery/Screenshot_2025-09-28_at_4.46.04%E2%80%AFPM.png **Usage note from source:** `All rights reserved. Photos are for editorial use only.` **Working credit:** `Photo: Jessica Licata / CBGB Festival` **Production master filename:** `page-13-story-cbgb-crowd-master.png` **Visual role:** Real punk crowd energy, physicality and noise. Strong documentary counterpoint to the constructed SCENE page. **Final check before print:** Confirm downloaded B&W crowd-surfing asset matches the `CBGB Festival crowd` credit entry. Do not print the photographer credit until that final asset-to-credit match is confirmed. --- ## PAGE 17 — NEW YORK AFTER DARK ### WHEN DOES DINNER BECOME NIGHT? **Status:** APPROVED **Selected image:** `NYCWFF_2026_PhotoGallery76.jpg` **Source:** official Food Network New York City Wine & Food Festival gallery / press assets **Official gallery:** https://nycwff.org/about-us/festival-videos-photos/ **Selected Dropbox preview/source:** https://www.dropbox.com/scl/fo/7jkfs021r2xk9z1d0j0ge/APr5Vjw7elDG4Ac2mnLkvDE?dl=0&e=1&preview=NYCWFF_2026_PhotoGallery76.jpg&rlkey=ldiv5aunm856qrsm5isc02ps4&st=fk04ueti **Recommended credit:** `Photo courtesy of Food Network New York City Wine & Food Festival` **Production master filename:** `page-17-story-nycwff-photogallery76-master.jpg` **Visual role:** Nighttime crowd + event lights + New York city context + food-festival environment. Strongest match for the dinner→night transition. --- ## PAGE 21 — NYC MARATHON ### ONE LINE THROUGH THE CITY **Status:** APPROVED **Selected image:** Tong Su / Unsplash — *A group of people running* **Source page:** https://unsplash.com/photos/a-group-of-people-running-Z-GDQeDaSB4 **Source context:** New York City marathon runners near Central Park, 2022. **Recommended credit:** `Photo: Tong Su / Unsplash` **Production master filename:** `page-21-story-marathon-tong-su-unsplash-master.jpg` **Visual role:** Authentic New York marathon scale and movement. Avoids generic performance-fashion imagery. **Caption accuracy:** Do not imply the image is from the 2026 race. --- ## PAGE 25 — NYFF ### AN EXCUSE TO DRESS A LITTLE MORE **Status:** APPROVED — TWO VISUAL ANCHORS This STORY intentionally uses two images. ### VISUAL A — WHERE YOU ARE **Selected image:** Alev Takil / Unsplash — audience at the Metropolitan Opera House, Lincoln Center **Source page:** https://unsplash.com/photos/a-large-auditorium-filled-with-lots-of-people-ZeNciLLPQas **Recommended credit:** `Photo: Alev Takil / Unsplash` **Production master filename:** `page-25-story-nyff-audience-alev-takil-unsplash-master.jpg` **Role:** Lincoln Center / audience / cultural-evening context. **Accuracy note:** Do not describe it as an NYFF photograph. Safe contextual caption: `Lincoln Center, New York.` ### VISUAL B — WHAT YOU CAME TO SEE **Selected image:** official FLC Press asset **Folder:** `01 Paper Tiger (Opening Night)` **File:** `NYFF_Opening Night_Announcement_1600x900.png` **Owner/uploader shown in source:** FLC Press **Source page:** https://app.box.com/s/mxm9kklymhvri5rjlfimfyptac9r9qro/file/2351177372459 **Production master filename:** `page-25-story-nyff-paper-tiger-opening-night-press-master.png` **Role:** Direct tie to the actual NYFF64 2026 Opening Night selection, *Paper Tiger*. **Credit:** Use any exact asset-specific credit instruction supplied in the downloaded FLC Press material. Until then, production tracking attribution is: `Film at Lincoln Center / NYFF64 Press Materials` ### Page 25 layout direction Do **not** use 50/50 image sizing. Preferred: - Visual A = larger contextual image - Visual B = smaller inset / strip / secondary image - total visual area ≈ 40–45% of STORY page Editorial logic: > **WHERE YOU ARE** → Lincoln Center / audience > **WHAT YOU CAME TO SEE** → *Paper Tiger* / NYFF64 Opening Night --- ## STORY IMAGE SOURCE MIX — ISSUE 01 The final selection intentionally avoids a single-source stock aesthetic: - Pexels — 1 - official event press — Armory - official event press — CBGB - official event gallery — NYCWFF - Unsplash — Marathon - Unsplash + official FLC Press — NYFF This mix is desirable. It gives the issue: - contemporary street photography, - real event documentation, - free licensed contextual imagery, - current official press material. The SCENE set will provide the more constructed / authored visual layer. --- ## STORY DOWNLOAD / ARCHIVE RULE For every external image save: ```text MASTER IMAGE SOURCE-URL.txt CREDIT.txt RIGHTS.txt / RIGHTS-SCREENSHOT ``` Suggested folder: ```text issue-001/shared/page-XX/story/ ``` Detailed source / rights registry: `THIS_YOU_ISSUE_01_STORY_IMAGE_REGISTRY_v3.md` --- # 9. PRODUCTION ORDER ## STAGE 1 — SHARED IMAGE PLAN FINALIZATION Approve this document. ## STAGE 2A — COLLECT STORY MASTERS All STORY selections are now approved. Next: - download the 6 STORY source sets / 7 total visual files, - archive source / credit / rights evidence, - verify resolution, - create production-safe master filenames. ## STAGE 2B — GENERATE SCENE VISUALS After STORY masters are collected, generate the six SCENE visuals as one coherent authored set: - page 06 — NYFW / 47 Minutes Between Shows - page 10 — Armory / After Four Hours of Looking - page 14 — CBGB / Play This Loud - page 18 — New York After Dark / 7:03 PM Blue Hour - page 22 — Marathon / ArtCodingLab route visual - page 26 — NYFF / Opening Night This separation is intentional: > **STORY = documentary/contextual** > **SCENE = constructed/interpretive** ## STAGE 3 — PERSONALIZED VISUAL LANGUAGE Establish: - cover direction, - arrival direction system, - sponsor-ad direction. ## STAGE 4 — READER GENERATION Per reader: - page 01, - pages 07, 11, 15, 19, 23, 27, - page 30, - optionally page 29. This is the recommended order because shared visual language should be stabilized before personalized generation begins. --- # 10. FILE NAMING EXAMPLES ## Shared ```text page-02-concept-demo-main-master.jpg page-02-concept-demo-main-web.webp page-02-concept-demo-main-print.jpg page-04-city-map-visual-master.jpg page-04-city-map-visual-web.webp page-04-city-map-visual-print.jpg page-06-scene-main-master.jpg page-06-scene-main-web.webp page-06-scene-main-print.jpg page-22-acl-still-main-master.jpg page-22-acl-still-main-web.webp page-22-acl-still-main-print.jpg page-32-back-cover-main-master.jpg page-32-back-cover-main-web.webp page-32-back-cover-main-print.jpg ``` ## Personalized ```text page-01-cover-hero-master.jpg page-01-cover-hero-web.webp page-01-cover-hero-print.jpg page-07-arrival-hero-master.jpg page-07-arrival-hero-web.webp page-07-arrival-hero-print.jpg page-30-sponsor-personal-hero-master.jpg page-30-sponsor-personal-hero-web.webp page-30-sponsor-personal-hero-print.jpg ``` --- # 11. DIGITAL-ONLY EXTENSIONS The following pages are strongest candidates for extra digital media: ## PAGE 14 — CBGB scene Could include: - track link, - mini playlist, - audio-related extra content. ## PAGE 22 — Marathon scene Should include: - ArtCodingLab motion piece, - interactive or animated route visual. ## PAGE 30 — Sponsor ad Could include: - product click, - product detail view, - shop CTA, - campaign page. --- # 12. MVP RECOMMENDATION For the first production cycle, keep the image workload manageable. ## Strong MVP image set ### Shared - page 02 concept image - page 04 city map - 6 scene images - page 32 back cover ### Personalized - cover - 6 arrivals - sponsor ad ### Optional if time permits - page 03 intro image - selected story support images - page 29 summary visual - page 31 teaser image This gives an efficient but premium-feeling first issue. --- # 13. FINAL SUMMARY The image strategy for Issue 01 is: > **Generate assets, not whole pages.** > > **Protect SCENE as the main shared-image space.** > > **Reuse Arrival images on Style pages where possible.** > > **Keep MASTER / WEB / PRINT variants.** > > **Allow print and digital to diverge when useful.** > > **Treat the sponsor page as its own image class.** > > **Stabilize the shared issue world before generating personalized pages.** This is the recommended working image system for **THIS YOU / Issue 01 — New York / Autumn 2026**. --- # STEP 5 NOTE — CURRENT SOURCE OF TRUTH For exact external image URLs, credits, rights and download notes, use: `THIS_YOU_ISSUE_01_STORY_IMAGE_REGISTRY_v3.md` This Image Plan controls **what visual belongs on each page and why**. The Story Image Registry controls **where the external file comes from and how it must be credited/archived**.